
Artists 艺术家
PETER WAYNE LEWIS 彼得·韦恩·刘易斯
Exhibition Dates 展览日期
March 15 – April 26, 2026
Opening 开幕
3 – 5 pm, Sunday, March 15, 2026
Venue 地点
Red Gate Gallery 红门画廊
Red Gate Gallery is delighted to present Fractal Patterns, a solo exhibition by Jamaican-American abstract artist Peter Wayne Lewis, opening on March 15th. Centered on the artist’s signature fractal visual language, the exhibition features large-scale acrylic on linen works of striking visual impact, as well as experimental representative pieces of acrylic on paper and monoprints. Lewis’s artistic practice is deeply inspired by quantum physics, celestial cosmology and improvisational jazz, with creative inspiration continuously expanding across diverse fields to explore the opposition and integration of reason and sensibility, science and art.
Endowed with a rich cross-cultural background, Lewis has forged a profound connection with the Chinese artistic context. He has maintained an artist studio in Beijing since 2007, devoting a great deal of his creative time here each year, and the cultural atmosphere of Beijing has deeply influenced his artistic practice. In 2016, UCCA Center for Contemporary Art held his solo exhibition Peter Wayne Lewis: Booster, curated by Philip Tinari; in 2019, Red Gate Gallery presented his solo exhibition Bending Time – From Kingston to Beijing.
红门画廊欣然呈现牙买加裔美国抽象艺术家彼得・韦恩・刘易斯(Peter Wayne Lewis)个展《分形样式》(Fractal Patterns),展览将于3月15日正式启幕。本次展览以艺术家标志性的“分形”视觉语言为核心脉络,展品既包含极具视觉张力的大尺幅布面丙烯作品,亦囊括充满实验精神的纸本丙烯与独幅版画代表作。彼得・韦恩・刘易斯的艺术实践深度受量子物理、宇宙天体与即兴爵士乐启发,不断从多元领域延展,探讨理性与感性、科学与艺术的对立与交融。
拥有丰富跨文化背景的刘易斯,与中国艺术语境联结深厚。自 2007 年起,他于北京设立工作室,每年在此投入大量创作时间,北京的文化氛围也深刻影响了其艺术实践。2016 年,他于 UCCA 尤伦斯当代艺术中心举办个展《彼得・韦恩・刘易斯:助推器》,由田霏宇(Philip Tinari)担任策展人;并于2019 年在红门画廊举办个展《弯曲的时间 —— 从金斯敦到北京》。
Art and the Evolution of Consciousness
Peter Wayne Lewis
2026
Art was invented as a means of surviving extinction as a species. It created the conditions for seeing more clearly through recognition and through the ability to document observations by pictorial means.
Observing the natural world—its beauty, pathos, and sublimity—undoubtedly assists in our evolution toward greater consciousness.
Art elevates us beyond the purely animal realm while revealing the nexus of beauty that surrounds us in the world of appearances.
艺术与意识的演化
彼得・韦恩・刘易斯 (Peter Wayne Lewis)
2026
艺术的发明,是人类物种避免灭绝的一种生存手段。它创造了更清晰观看世界的条件,使我们能通过辨识,以及以图像方式记录观察的能力,更深刻地理解我们所见之事物。
对自然世界的观察 —— 其美、其悲怆、其崇高 —— 无疑促进了我们向更高层次意识演化的过程。
艺术将我们提升,使我们超越纯粹的兽性领域,同时揭示出环绕于表象世界中的美之关联与本质。

Behind the Black Hole # 3
黑洞背后 # 3
2024
Acrylic on linen 布面丙烯
92 x 146 cm

Behind the Black Hole # 4
黑洞背后 # 4
2024
Acrylic on linen 布面丙烯
92 x 183 x 4.5 cm

Behind the Black Hole # 5
黑洞背后 # 5
2024
Acrylic on linen 布面丙烯
100 x 200 x 2.5 cm

Behind the Black Hole # 6
黑洞背后 # 6
2024
Acrylic on linen 布面丙烯
100 x 200 x 2.5 cm

Behind the Black Hole # 11
黑洞背后 # 11
2024
Acrylic on linen 布面丙烯
120 x 120 cm

Bending Time # 7
弯曲的时间 # 7
2017
Acrylic on linen 布面丙烯
153 x 183 cm

Bending Time # 4
弯曲的时间 # 4
2017
Acrylic on linen 布面丙烯
170 x 170 cm

False Vacuum # 5
伪真空 # 5
2015
Acrylic on linen 布面丙烯
250 x 200 cm

Booster South Orange # 922
助推器 南波士顿橙 # 922
2011
Acrylic on paper 纸本丙烯
38 x 28 cm

Booster South Orange # 924
助推器 南波士顿橙 # 924
2011
Acrylic on paper 纸本丙烯
38 x 28 cm

Booster South Orange # 925
助推器 南波士顿橙 # 925
2011
Acrylic on paper 纸本丙烯
38 x 28 cm

Booster South Orange # 928
助推器 南波士顿橙 # 928
2011
Acrylic on paper 纸本丙烯
38 x 28 cm

Boston Booster # 4
波士顿助推器 # 4
2021
Monoprint on paper 独幅版画
76 x 56 cm

Boston Booster # 15
波士顿助推器 # 15
2021
Monoprint on paper 独幅版画
76 x 56 cm

Boston Booster # 16
波士顿助推器 # 16
2021
Monoprint on paper 独幅版画
76 x 56 cm

Peter Wayne Lewis 彼得·韦恩·刘易斯
Boston Booster # 24
波士顿助推器 # 24
2021
Monoprint on paper 独幅版画
76 x 56 cm
