Heartbeat on the Edge – 10 Songzhuang Artists 
边缘的中心 – 10位宋庄艺术家 

Red Gate Gallery is honored to present Heartbeat on the Edge  – 10 Songzhuang Artists, opening on May 10. Curated by Zhang Weilin, the exhibition highlights ten artists who migrated and settled in Songzhuang from outside Beijing, exploring their diverse artistic outlooks and personal creative expressions.

红门画廊荣幸呈现群展《边缘的中心 – 10 位宋庄艺术家》（Heartbeat on the Edge  – 10 Songzhuang Artists）， 5 月 10 日开幕。展览由张惟粼担任策展人，聚焦 10 位异地移居北京宋庄创作与生活的艺术家，探讨创作者们多样的艺术面貌与个人表达。

Foreword 展览前言

Geography often places us on the periphery, but the spirit often chooses its own center. In the nineteenth century, the village of Barbizon on the outskirts of Paris embraced Rousseau and Millet, who had grown weary of industrializing urban life. There, in what was mockingly called a place of “corn boiling and dirty bed sheets,” the most thunderous cries of realist art emerged, temporarily shifting the center of the art world away from the salons along the Seine. History has a way of repeating itself. In contemporary China, the most concrete embodiment of this dialectic—the deconstruction and reconstruction of the “center” by the “edge”—is a place called Songzhuang.

More than thirty years ago, when the pioneers of the Yuanmingyuan Artist Village migrated north like migratory birds to this quiet, river-wrapped land, a subtle dialectic of “drift” and “gathering” quietly took effect. Beginning in 1994, when Fang Lijun, Yue Minjun, and other early artists settled in Xiaobao Village, Songzhuang ceased to be just another coordinate on an administrative map and became a spiritual phenomenon. It was a enclave beyond the mainstream gaze, an “outlaw” territory—what Deleuze and Guattari might call a “war machine” against the state apparatus. Yet it was precisely this geographical marginality that gave Songzhuang its unique power: distance from the center generated a centrifugal force of thought, allowing art to shed the constraints of capital and power and to grow wildly on free soil.

Today, when we speak of “the center on the edge,” we refer not only to the geographical character of the Songzhuang art district but also to a deeper aesthetic-anthropological declaration. Those margins long obscured by central discourse possess a remarkable energy to disrupt established distributions of the sensible. Standing among more than 7,000 restless souls and over 5,000 studios in what has become the world’s largest artist community, we realize that the true center has never possessed fixed coordinates. It appears wherever courage breaks the rules.

This exhibition casts a spotlight on ten stylistically diverse young artists. They are the most vital cells in Songzhuang’s sprawling ecological system. Unlike the previous generation, which struggled within grand narratives, these artists belong to a generation born global. Their vision transcends East-West geographical divides, yet their expression returns to a deeply individual microcosm.

边缘的中心

——写给宋庄的青年艺术家们

地理上的边缘，往往孕育着精神上的中心。正如十九世纪巴黎郊外的巴比松村，接纳了厌倦城市工业化的卢梭、米勒，在那个被讽刺为“煮老玉米、洗脏床单”的边陲之地，竟发出了现实主义艺术最震耳发聩的呐喊，让世界艺术的中心暂时偏离了塞纳河畔的沙龙。历史总是惊人的相似，这种“边缘”对“中心”的祛魅与重构，在当代中国，有一个最具象的注脚——宋庄。

三十多年前，当圆明园画家村的那批拓荒者像候鸟一样北迁至这片潮白河与温榆河环绕的宁静村落时，一种关于“游离”与“凝聚”的辩证法便悄然生效。从1994年方力钧、岳敏君等首批艺术家入驻小堡村开始，这里便不再是行政地图上的一个普通坐标，而演变成了一种精神现象。它曾是主流视野之外的一片“飞地”，是体制外的“江湖”，是德勒兹笔下那个对抗“国家装置”的“战争机器”。然而，正是这种物理距离的“边缘性”，赋予了宋庄一种独特的魔力——空间的距离产生了思想的离心力，让艺术得以摆脱资本与权力的裹挟，在自由的土地上野蛮生长。

今天我们谈论“边缘的中心”，不仅是对宋庄艺术区地缘特征的描述，更是一种深层次的审美人类学宣言。正如马克思主义审美人类学所揭示的，那些长期被遮蔽在中心话语之外的“边缘”，恰恰拥有扰动既定感性分配秩序的巨大能量。当我们置身于这个全球规模最大的艺术家聚集区，面对这7000多个跳动的灵魂和5000多间工作室，我们发现，真正的中心从未有过固定的经纬度，它存在于每一次打破常规的勇气之中。

在这个展览中，我试图将聚光灯打向十位风格迥异的青年艺术家。他们是宋庄庞杂生态系中最具活力的细胞。与上一代在宏大叙事中挣扎的艺术家不同，他们是“天生全球化”的一代，视野跨越了东西方的地理界限，但在表达上，却回归到了极其个体化的“微观宇宙”。

About the Curator 关于策展人

Zhang Weilin is an international art dealer, curator, and cultural industry investor. Having lived extensively in Canada, France, and the United Kingdom, he brings a cross-cultural perspective and a professional background in finance to the art world. Since 2022, he has crossed over into contemporary art, focusing on discovering, supporting, and promoting the community of young artists in Songzhuang.

张惟粼，国际艺术代理、策展人、文化产业投资人。曾长期生活于加拿大、法国、英国，具备跨文化视野与专业金融背景。自2022年起跨界进入当代艺术领域，专注于发掘、支持与推广宋庄的青年艺术家群体。

Anwer Behtiyar 白合提亚・安外尔

Artist Statement 艺术家自述

The state of integration between living beings and natural elements, conveying the spiritual conception of the harmony of all things.

生灵、自然元素的交融状态，传递万物共融的精神意境。

Artist CV 艺术家简历

Anwer Behtiyar 白合提亚·安外尔
1980	生于新疆伊犁
1995-1998	新疆石油教育学院，电化教育专业，大专学历
目前	工作生活于北京宋庄
个人展览
2023	蜕变白合提亚作品展，北塘艺术馆，北京
2024	文明的路途个人水墨展，江苏镇江阅生活空间，江苏镇江
部分联展
2024	三人展，北京磐荣空间，北京朝阳
2023	深圳艺术展，深圳艺术展场馆，深圳
奖项
2022	新疆首届油画风景作品展 学术奖
收藏记录
国内外私人收藏

Anwer Behtiyar
1980	Born in Yili, Xinjiang
1995-1998	Xinjiang Petroleum Education Institute, Educational Technology major, college degree
Present:	Lives and works in Songzhuang, Beijing
Solo Exhibitions
2023	Transformation: Anwer Behtiyar’s Works, Beitang Art Museum, Songzhuang, Beijing
2024	The Path of Civilization Ink Painting, Yueshenghuo Space, Zhenjiang, Jiangsu
Selected Group Exhibitions
2024	Three-Person at Beijing Panrong Space, Chaoyang, Beijing
2023	Shenzhen Art Exhibition Venue, Shenzhen
Awards
2022	Academic Award, First Xinjiang Oil Painting Landscape
Collections
Private collections at home and abroad

Du Feichen 杜飞辰

Artist Statement 艺术家自述

《时间切片》源于《种子计划》中 “我见、我闻” 的个体经验，进而转向对生命、基因与传承的深层追问，更尝试站在更高维度思考艺术与时空的关联 —— 时空，这个无形的容器，承载了所有生命的生灭与悲欢。艺术作为人类精神的凝结，其本质是否就是试图捕捉这不可见的 “时空（时间与空间）”？

关于空间：受卢齐欧・封塔纳 “割破画布” 启发，我同样打破绘画的平面幻象，但哲学指向截然不同 —— 封塔纳以切割引向超验虚空，我则反其道而行之。通过构建凹凸不平的实体层积，我将观众拉回物质本身。在不规则媒介上绘画，既是对极少主义 “去物质化” 的反叛，也是对观念艺术过度抽象化的平衡；而不规则（凹凸）媒介则通过构建实体空间，将观众拉回物质本身的在场性，如边界效应对现实空间的侵略造成的空间气场的变化，以及从 “描绘空间” 到 “占据空间” 的转变。

关于时间：想要让时间 “显影”。放弃对画面表象的修饰，转而专注于 “层” 的构建。颜料不再是描绘物象的工具，而是一层层沉积的岁月。我一遍遍地涂抹、覆盖，如同大地在亿万年地质运动中形成千层岩，又如同树木在寒来暑往中刻下年轮。这些层积并非随意堆叠，每一层颜料都封存着一个瞬间的决定、一次呼吸的停顿，它们累积、挤压，形成了厚重的物质性，是由无数个过去的时间堆叠而成的实体。仅有层积还不够，时间这一隐形的维度需要被 “看见”。切割画布的同时，也剖开了时间的腹部：画布表面的幻象被撕裂，侧面暴露出丰富色层，原本隐形的 “时间” 终于有了形状。它不再是抽象的流逝，而是具象、可触摸的色带，是过去与现在的并置，是记忆的横截面。作品剥离了复杂的叙事与技巧，只留下物质本身在时间中的生长与变迁。观众不再仅仅是站在画布前 “观看” 一个故事，而是被拉近，去 “凝视” 时间的切口，感受那层层叠叠的岁月重量，将绘画过程中的覆盖、叠加，用切割动作转化为时间与空间的对话。

Time Slices derives from the personal experiences of “I see, I hear” in the Seed Project, evolving into a deeper inquiry into life, genes, and inheritance. It also attempts to contemplate the relationship between art, time, and space from a higher dimension — time and space, this invisible container, holds all life’s births, deaths, joys, and sorrows. As a crystallization of human spirit, is the essence of art to capture this invisible “time and space”?

On Space: Inspired by Lucio Fontana’s “slashed canvases”, I also break the illusion of the flat plane, but with a fundamentally different philosophical direction. While Fontana’s cuts point to a transcendental void, I take the opposite approach. By building uneven, layered physical accumulations, I bring the viewer back to matter itself. Painting on irregular media is both a rebellion against Minimalism’s “dematerialization” and a balance against the excessive abstraction of conceptual art. The irregular (uneven) medium constructs physical space, returning the viewer to the presence of matter itself — such as the change in spatial aura caused by the invasion of boundary effects into real space, and the shift from “depicting space” to “occupying space”.

On Time: I aim to “develop” time. Abandoning surface embellishment, I focus on building “layers”. Paint is no longer a tool for depicting objects, but accumulated years. I repeatedly apply and cover, just as the earth forms rock strata over millions of years of geological movement, or as trees carve annual rings through the seasons. These layers are not random stacks; each layer of paint preserves a split-second decision, a pause in breath. They accumulate and compress, forming a heavy materiality — an entity composed of countless moments of the past. Layers alone are not enough; the invisible dimension of time needs to be “seen”. Cutting the canvas also cuts open the belly of time: the illusion of the surface is torn, revealing rich color layers on the side, and the once invisible “time” finally takes shape. It is no longer abstract passage, but concrete, touchable bands of color, a juxtaposition of past and present, a cross-section of memory. Stripped of complex narratives and techniques, the work leaves only the growth and transformation of matter itself in time. The viewer no longer merely “watches” a story from in front of the canvas, but is drawn closer to “gaze” at the incision of time, feeling the weight of layered years. The overlapping and covering in the painting process are transformed into a dialogue between time and space through the act of cutting.

Artist CV 艺术家简历

Du Feichen 杜飞辰
1989	生于山东
2012	毕业于天津美术学院综合绘画专业
2012	结业于中央美术学院材料艺术表现工作室
目前	工作生活于北京
个人展览
2020	《离解》，隆福大厦，北京
2018	《集合》，hiart space，上海
2017	《寂之镜》，利阿贺拿，北京
2016	《有迹可循》，北京异构空间，北京
部分联展
2025	中国抽象 100 年・第一回，知诸网艺术中心，广东
2024	共鸣与新生 —— 金杜艺术中心八周年特展，金杜艺术中心，北京
2023	簌簌间的微语 – 青年艺术 100 邀请展，北京
2023	艺术发现 ART DISCOVERY，北京利星行艺术中心，北京
2021	透视，金杜艺术中心，北京
2021	艺术凤凰 2021 – 青年艺术 100 邀请展，江苏
2021	新星 – 青年艺术推荐展，利星行艺术中心，北京
2021	艺术北京，名泰文化・全国农业展览馆，北京
2020	生声：中国当代生态艺术展，798 国际艺术交流中心，北京
2019	艺术北京，名泰文化・农业展览馆，北京
2018	青年艺术 100，嘉德艺术中心，北京
2017	怒放青春联展，北京大学，北京

Du Feichen
1989	Born in Shandong
2012	Graduated from Comprehensive Painting, Tianjin Academy of Fine Arts
2012	Completed the workshop of Material Art Expression, Central Academy of Fine Arts
Present:	Lives and works in Beijing
Solo Exhibitions
2020	Dissociation, Longfu Mansion, Beijing
2018	Gather, Hiart space, Shanghai
2017	Silent Mirror, Li’ahena Gallery, Beijing
2016	Traceable, Yigou Space, Beijing
Selected Group Exhibitions
2025	100 Years of Chinese Abstraction · Part I, Zhuzhu Network Art Center, Guangdong Province
2024	Resonance and Rebirth – 8th Anniversary of Jin Du Art Center, Jin Du Art Center, Beijing
2023	Whispers in the Rustle – Youth Art 100 Invitational, Beijing
2023	Art Discovery, Lixinghang Art Center, Beijing
2021	Perspective, Jin Du Art Center, Beijing
2021	Art Phoenix 2021 – Youth Art 100 Invitational, Jiangsu
2021	New Star – Youth Art Recommendation, Lixinghang Art Center, Beijing
2021	Art Beijing, Mintai Culture · National Agricultural Exhibition Center, Beijing
2020	Vital Sounds: China Contemporary Ecological Art, 798 International Art Exchange Center, Beijing
2019	Art Beijing, Mintai Culture, Agricultural Exhibition Center, Beijing
2018	Youth Art 100, Guardian Art Center, Beijing
2017	Youth Bloom Joint Exhibition, Peking University, Beijing

Artist CV 艺术家简历

Du Feichen 杜飞辰
1989	生于山东
2012	毕业于天津美术学院综合绘画专业
2012	结业于中央美术学院材料艺术表现工作室
目前	工作生活于北京
个人展览
2020	《离解》，隆福大厦，北京
2018	《集合》，hiart space，上海
2017	《寂之镜》，利阿贺拿，北京
2016	《有迹可循》，北京异构空间，北京
部分联展
2025	中国抽象 100 年・第一回，知诸网艺术中心，广东
2024	共鸣与新生 —— 金杜艺术中心八周年特展，金杜艺术中心，北京
2023	簌簌间的微语 – 青年艺术 100 邀请展，北京
2023	艺术发现 ART DISCOVERY，北京利星行艺术中心，北京
2021	透视，金杜艺术中心，北京
2021	艺术凤凰 2021 – 青年艺术 100 邀请展，江苏
2021	新星 – 青年艺术推荐展，利星行艺术中心，北京
2021	艺术北京，名泰文化・全国农业展览馆，北京
2020	生声：中国当代生态艺术展，798 国际艺术交流中心，北京
2019	艺术北京，名泰文化・农业展览馆，北京
2018	青年艺术 100，嘉德艺术中心，北京
2017	怒放青春联展，北京大学，北京

Du Feichen
1989	Born in Shandong
2012	Graduated from Comprehensive Painting, Tianjin Academy of Fine Arts
2012	Completed the workshop of Material Art Expression, Central Academy of Fine Arts
Present:	Lives and works in Beijing
Solo Exhibitions
2020	Dissociation, Longfu Mansion, Beijing
2018	Gather, Hiart space, Shanghai
2017	Silent Mirror, Li’ahena Gallery, Beijing
2016	Traceable, Yigou Space, Beijing
Selected Group Exhibitions
2025	100 Years of Chinese Abstraction · Part I, Zhuzhu Network Art Center, Guangdong Province
2024	Resonance and Rebirth – 8th Anniversary of Jin Du Art Center, Jin Du Art Center, Beijing
2023	Whispers in the Rustle – Youth Art 100 Invitational, Beijing
2023	Art Discovery, Lixinghang Art Center, Beijing
2021	Perspective, Jin Du Art Center, Beijing
2021	Art Phoenix 2021 – Youth Art 100 Invitational, Jiangsu
2021	New Star – Youth Art Recommendation, Lixinghang Art Center, Beijing
2021	Art Beijing, Mintai Culture · National Agricultural Exhibition Center, Beijing
2020	Vital Sounds: China Contemporary Ecological Art, 798 International Art Exchange Center, Beijing
2019	Art Beijing, Mintai Culture, Agricultural Exhibition Center, Beijing
2018	Youth Art 100, Guardian Art Center, Beijing
2017	Youth Bloom Joint Exhibition, Peking University, Beijing

Hong Zhenyu 洪振宇

Artist CV 艺术家简历

Hong Zhenyu 洪振宇
1982	生于江西鄱阳
2007	毕业于清华大学美术学院
目前	工作生活于北京
中国工艺美术学会会员
个人展览
2025	《位置与角度》洪振宇艺术展，北京睿符艺术
2019	《易 —— 洪振宇艺术展》，北京锦都艺术中心
2015	《观・旷》洪振宇艺术作品展，北京
主要展览
2025	第十一届上海青年艺术博览会，上海
2025	第七届青岛国际当代艺术双年展，青岛
2024	第十届上海青年艺术博览会，上海
2024	第五届大学生艺术博览会（武汉），武汉
2023	《舞・蹈 —— 以装置艺术的方式》展（展览统筹），江西武功山
2022	大艺博 [365 星计划] 封面人物推介
2022	共享艺术邀请展，北京
2022	第三届大学生艺术博览会（武汉），武汉
2022	《中国拍卖》2022・11 推介，北京
2022	“要有光” 当代艺术三人展，北京
2021	醉美中国 —— 青年艺术家推介展，北京
2021	纸上・至上作品展，北京
2021	第二届大学生艺术博览会（武汉），武汉
2020	第三届青岛国际当代艺术展，青岛
2020	重启当代・全国当代艺术名家大展（第一回、第二回），北京
2019	繁星计划－青年艺术展，北京／秦皇岛
2018	非由述作 —— 首届宝龙艺术大奖优秀作品入围展，上海
2017	海南国际当代艺术大展，海南
2017	北京奥特莱斯生态展，北京
2016	一兰艺术馆第 15 期艺术展（四人展），北京
2016	第九届中国国际青年艺术周・2016 年度生态艺术展，石家庄
2016	第二届独立品格提名展，北京
2015	“江山如画” 第三届中国油画写生作品展，北京
2015	《行走 + 见证》中国优秀艺术家作品邀请展，北京
2014	无微不至，北京
2014	微艺术作品展，北京
2014	上海崇明岛 “种文化” 艺术活动，上海
2013	首届长城（金山岭）国际当代艺术双年展，金山岭长城
2012	首届宋庄诗画展，北京
2012	我们的孩子 —— 义卖展，长沙
2012	深圳兰亭 2012 金秋艺术品拍卖会，深圳
2011	宋庄 80 后艺术家群展，北京
2011	第八回韩中美术交流展，韩国
2011	五四青年艺术节青年领袖新锐艺术展，北京
2010	第七届中韩（梧州）国际艺术交流展，广西梧州
2010	中德交流展，北京
2010	青年艺术家联展，北京
2009	中国青年艺术家新锐邀请展，北京
2009	北京当代艺术展，北京
2009	修辞与反观，北京
2008	迎奥运青年艺术家大展，北京
2008	东区艺术中心第二回油画邀请展，北京
2007	全国第二届漆画展，福建厦门
2006	江西省青年艺术展，江西南昌
2006	中央工艺美术学院成立 50 周年优秀作品展，北京
2002	常德市第二届青年艺术展，湖南常德

Hong Zhenyu
1982	Born in Poyang, Jiangxi Province
2007	Graduated from Academy of Arts & Design, Tsinghua University
Present:	Lives and works in Beijing
Member of the Chinese Arts and Crafts Association
Solo Exhibitions
2025	Position and Angle – Hong Zhenyu Art Exhibition, Ruifu Art, Beijing
2019	Yi – Hong Zhenyu Art Exhibition, Jindu Art Center, Beijing
2015	View Vastness – Hong Zhenyu Art Exhibition, Beijing
Selected Group Exhibitions
2025	11th Shanghai Youth Art Fair, Shanghai
2025	7th Qingdao International Contemporary Art Biennale, Qingdao
2024	10th Shanghai Youth Art Fair, Shanghai
2024	5th University Art Fair (Wuhan), Wuhan
2023	Dance – In the Form of Installation (Exhibition Coordinator), Wugong Mountain, Jiangxi
2022	Grand Art Expo [365 Star Project] Cover Figure Promotion
2022	Shared Art Invitational, Beijing
2022	3rd University Art Fair (Wuhan), Wuhan
2022	China Auction 2022·11 Promotion, Beijing
2022	Let There Be Light Contemporary Art for Three Artists, Beijing
2021	Beautiful China – Young Artists Promotion, Beijing
2021	On Paper – Supremacy Art, Beijing
2021	2nd University Art Fair (Wuhan), Wuhan
2020	3rd Qingdao International Contemporary Art, Qingdao
2020	Restart Contemporary – National Contemporary Artists (Session 1 & 2), Beijing
2019	Star Project – Young Art, Beijing / Qinhuangdao
2018	Beyond Description – 1st Powerlong Art Award Finalist, Shanghai
2017	Hainan International Contemporary Art, Hainan
2017	Beijing Outlets Ecological Art, Beijing
2016	Yilan Art Museum No.15 (4 Artists), Beijing
2016	9th China International Youth Art Week 2016 Ecological Art, Shijiazhuang
2016	2nd Independent Character Nomination, Beijing
2015	Picturesque Rivers and Mountains 3rd China Oil Painting Landscape, Beijing
2015	Walking + Witness Chinese Outstanding Artists Invitational, Beijing
2014	Utmost Care, Beijing
2014	Mini Art, Beijing
2014	Cultivating Culture Art Event, Chongming Island, Shanghai
2013	1st Great Wall (Jinshanling) International Contemporary Art Biennale, Jinshanling Great Wall
2012	1st Songzhuang Poetry & Painting Exhibition, Beijing
2012	Charity Exhibition for Children, Changsha
2012	Lanting 2012 Autumn Art Auction, Shenzhen
2011	Post-80s Artists, Songzhuang, Beijing
2011	8th China-Korea Art Exchange, South Korea
2011	May 4th Youth Art Festival – Young Leaders Avant-Garde, Beijing
2010	7th China-Korea (Wuzhou) International Art Exchange, Wuzhou, Guangxi
2010	China-Germany Art Exchange, Beijing
2010	Young Artists Group Exhibition, Beijing
2009	China Young Avant-Garde Artists Invitational, Beijing
2009	Beijing Contemporary Art, Beijing
2009	Rhetoric and Reflection, Beijing
2008	Olympic Youth Artists, Beijing
2008	2nd Oil Painting Invitational, East District Art Center, Beijing
2007	2nd National Lacquer Painting, Xiamen, Fujian
2006	Jiangxi Youth Art Exhibition, Nanchang, Jiangxi
2006	50th Anniversary Excellent Works Exhibition, Academy of Arts & Design, Tsinghua University, Beijing
2002	2nd Changde Youth Art, Changde, Hunan

Hui Zi 荟子

Artist Statement 艺术家自述

以自由为名，鲲鹏虽未直接出现在《山海经》，却是《庄子》中借鉴山海神话体系的伟大创造。其“鹏之徙于南冥也，水击三千里，抟扶摇而上者九万里”的雄浑气势，体现了华夏文明对自由和超越的向往。鲲鹏之变（由鱼化鸟）暗示着形态可变、境界可升的哲学思想，鼓励着人们突破自我局限，追求更高境界。

Though the Kun and Peng do not directly appear in Shan Hai Jing, they stand as a magnificent creation in Zhuangzi, drawing on the mythological system of mountain and sea legends.

The imposing vision of “When the Peng migrates to the southern abyss, it strikes the water for three thousand li, then soars upward on swirling winds for ninety thousand li” embodies the Chinese civilization’s eternal yearning for freedom and transcendence.

The metamorphosis from giant fish to divine bird implies an oriental philosophy of mutable form and elevated realm, inspiring people to break through boundaries, transcend limitations, and pursue a higher spiritual dimension.

Artist CV 艺术家简历

Hui Zi荟子
1983	生于内蒙古
2002-2007	内蒙古师范大学 版画专业 本科
2007-2009	中央美术学院 实验艺术专业 研修班
目前	工作生活于北京宋庄
个人展览
2025	《剪山染海》，骊画廊，北京798
部分联展
2026	《拾花酿春》，树美术馆，北京
2026	米兰春天年画展，奥运博物馆，北京
2025	《蜉蝣记》，伊莎公共文化中心，北京
获奖
2015	内蒙古工艺美术大赛金奖
收藏
博尔金维斯美术馆、成都郫都非遗博物馆

Hui Zi
1983	Born in Inner Mongolia
2002-2007	Bachelor of Arts in Printmaking, Inner Mongolia Normal University
2007-2009	Postgraduate Studies in Experimental Art, Central Academy of Fine Arts (CAFA)
Present:	Lives and works in Songzhuang, Beijing
Solo Exhibitions
2025	Cutting Mountains and Dyeing Seas, Li Gallery, 798 Art Zone, Beijing
Selected Group Exhibitions
2026	Collecting Flowers to Brew Spring, Shu Art Museum, Beijing
2026	Milan Spring New Year Painting, Olympic Museum, Beijing
2025	Ephemera Notes, Isa Public Cultural Center, Beijing
Awards
2015	Gold Award, Inner Mongolia Arts and Crafts Competition
Collections
Chengdu Pidu Intangible Cultural Heritage Museum, Borkinvis Art Museum

Liu Bingling 刘冰凌

Artist Statement 艺术家自述

《别》Farewell

Description of parting emotions.

描述别离之情。

《别后不知君远近》Distance Unseen After Farewell

From Ouyang Xiu’s poem Yulouchun Biehou Buzhi Jun Yuanjin: Since we parted, I know not your distance; all I see is dreariness. You drift farther, no letters come. Waters wide, messages sunk – where to seek you?

After separation, our paths diverge. I truly know not where you are or how you fare. Admitting this uncertainty, not forcing contact or answers, is respect for fate. Unawareness begins letting go, holding a gentle acceptance—I accept our separation. Most worldly sorrows come from craving to know and control.

Distance is never geographical, but a state of mind. You may not know how far he is, yet he may never leave your thoughts—you just no longer cling to inquiries. With your departure, heaven and earth become truly real.

出自宋代欧阳修的词《玉楼春·别后不知君远近》：别后不知君远近，触目凄凉多少闷。渐行渐远渐无书，水阔鱼沉何处问。

分离之后，你我的路径各自展开，我确实不知道你在哪里、你过得好不好。承认“不知”，而不是强求知道或强行联系，这是对缘分的尊重。“不知”恰恰是一种放下的开始，“不知”里，藏着一种温柔的认命——我接受我们失散了。世间很多痛苦，恰恰源于“想要知道”“想要掌控”。

远近从来不是地理概念，而是心念。你不知道他在多远之外，但也许他从未离开你的呼吸之间——只是你不再执着去打听了。你走了，天地反而变得无比真实。

《杳》Remote

After parting, all your traces and news fade, leaving only boundless emptiness—embodying “not knowing where you are”, “no news or letters”, “vanishing from sight”. Sorrow comes from clinging to “possession”: his whereabouts, messages, tangible presence. From the Buddhist view of Dependent Origination and Emptiness, all phenomena have no inherent nature; impermanence of gathering and separation is the truth.

分离后，你的踪影与音信都杳然，天地间只余空阔。“不知你在何处”“没有消息，没有书信往来”“茫茫不可见”的全部意味。你感到失落，是因为曾执着于“有”——有他的行踪、音信、可见的实体。而禅观“缘起性空”会发现，一切现象本无自性，聚散无常才是真相。

《照见》Enlightenment

Once, faced with silence, you’d search, wait, guess relentlessly. But when inner revelation comes, you turn inward—instead of chasing the vanishing shadow, you see the self-feeling this emptiness. This turn is the path to awakening.

Inner revelation tears a crack through ignorance. Even for a moment, you don’t drown in loss and confusion from silence but observe calmly. With practice, the crack widens until subject and object merge.

Before revelation, emptiness is suffering.

After revolution, emptiness is the gateway to enlightenment.

The strength to open this gate is awareness. Observe mindfully at every moment, this is cultivation after enlightenment, true awakening.

以往遇到“杳”，你会拼命找、等、猜。而照见一发生，你第一次回过了头，不是去追那个消失的影子，而是看清“正在感受杳然的是谁”。这一转身，就是觉醒的方向。

你的“照见”——它从无明里撕开一道缝。哪怕只是一刹那，你不被“杳然”带来的失落、茫然卷走，而是静静地看着那一刹那，反复练习，那道缝会越来越大，直到能所双亡。

照见之前，杳是苦。

照见之后，杳是门。

而推开门的那个力气，就叫“觉”。从这一个开始，念念照见下去，便是悟后起修，便是觉醒。

Artist CV 艺术家简历

刘冰凌 Liu Bingling 笔名：刘丰屹，字轩圻
1969	生于河北唐山，现工作生活于北京
1991	中央工艺美术学院（现：清华大学美术学院）环境艺术系 大专
目前	工作生活于北京
当代艺术彩蜡开创者、高级工艺美术师、西安美院创新创业导师、中国工艺美术学会会员、当代新墨彩国际联盟副会长、法国国际艺术家与设计师协会艺术委员会（ID&A）会员
部分展览
2026	《拾花酿春》，树美术馆，北京宋庄
2025	《水生木》，第141届ART CAPITAL巴黎大皇宫独立沙龙联展，巴黎
2023	上苑艺术馆国际驻留计划，北京
2016	在唐卡非遗传承人嘎藏师父指导下，与清华美院校友在五台山龙慧禅寺绘制三十五佛唐卡
获奖
2024	中国建筑学会室内设计分会成立35周年-大湾区年度学术论坛艺设展获绘画类设计创作奖
2023	“民族杯”中国民族工艺美术大赛金奖
2022	“民族杯”中国民族工艺美术《年鉴》银奖
2020	第十二届美国艺术展极简主义第四名
2018	第二届蜡染艺术大赛一等奖
	第十届美国艺术展抽象类绘画第六名
2017	纪念张仃诞辰百年—中国现代蜡染艺术展绘画类银奖
1995	95中国专利十年成就展”金奖
1994	第五届亚洲及太平洋国际贸易博览会金奖
收藏
世界非物质文化遗产大会，美国迈阿密达德学院孔子学院，北京丝路长歌文化艺术中心，北京文化寻力艺术馆，北京商务印书馆涵芬楼艺术馆，北京上苑艺术馆，私人收藏等

Liu Bingling Artist name: Liu Fengyi, courtesy name: Xuanqi
1969	Born in Tangshan, Hebei Province,
1991	Graduated from the Department of Environmental Art, Central Academy of Arts and Crafts (now Tsinghua University Academy of Arts & Design), junior college degree
Present:	Lives and works in Beijing
Pioneer of contemporary colored wax art, Senior Arts and Crafts Master, Innovation and Entrepreneurship Mentor of Xi’an Academy of Fine Arts, Member of China National Arts and Crafts Society, Vice President of the Contemporary New Ink Color International Alliance, Member of Association Internationale des Designers et des Artistes (ID&A)
Selected Exhibitions
2026	Collecting Flowers to Brew Spring, Shu Art Museum, Songzhuang, Beijing
2025	Water Generates Wood, the 141st ART CAPITAL Paris Grand Palais Salon des Indépendants, Paris
2023	International Residency Programme, Shangyuan Art Museum, Beijing
2016	Under the guidance of Master Gatsang, an inheritor of Thangka intangible cultural heritage, painted a 35-Buddha Thangka at Longhui Temple on Wutai Mountain with Tsinghua University alumni
Awards
2024	Painting Design Creation Award, Art Design, Annual Academic Forum of Greater Bay Area – 35th Anniversary of the Interior Design Branch of the Architectural Society of China
2023	Gold Award, “National Cup” Chinese Ethnic Arts and Crafts Competition
2022	Silver Award, “National Cup” Chinese Ethnic Arts and Crafts Yearbook
2020	4th Place in Minimalism, 12th American Art
2018	First Prize, 2nd Batik Art Competition; 6th Place in Abstract Painting, 10th American Art
2017	Silver Award in Painting, Centenary of Zhang Ding’s Birth – Chinese Modern Batik Art
1995	Gold Award, 95 China Patent Decade Achievement
1994	Gold Award, 5th Asia-Pacific International Trade Fair
Collections
World Intangible Cultural Heritage Conference, Confucius Institute at Miami Dade College (USA), Beijing Silk Road Ballad Culture and Art Center, Beijing Cultural Exploration Art Museum, Hanfenlou Art Museum of The Commercial Press (Beijing), Beijing Shangyuan Art Museum, Private Collection, etc.

Liu Zhengxin 刘政昕

Liu Zhengxin 刘政昕

Artist CV 艺术家简历

刘政昕
1983	生于中国吉林
2002–2006	吉林艺术学院美术学院，油画专业，本科
2009–2013	吉林艺术学院美术学院，绘画专业，硕士
2010–2013	于导师方力钧先生宋庄工作室（劲草空间）学习创作
目前	工作生活于北京宋庄
个人展览
2025	《思辨中的叙事》，云琅当代美术馆，长春
部分联展
2025	《行迹》，宋庄美术馆，北京
2022	《迹。像》青年艺术家联展，合美术馆，武汉
2021	《房间》，宋庄美术馆，北京
2017	艺术长沙《坏的又一天》三人展，美仑美术馆，长沙
2016	“绘画在当下”—— 当代绘画艺术邀请展，北京
2016	《花托般盛开：多维的 13 位艺术家》，罗湖美术馆，深圳
2015	2015 “CIGE” 艺术家提名展，北京
2015	“大美长白” 长白山题材美术作品巡回展，炎黄艺术馆，北京
2015	“知性图景作品展”，艺・凯旋艺术空间，北京
2014	“学院新艺术 —— 第一季”，罗湖美术馆，深圳
2010	《方寸之间》中韩当代艺术家小幅油画作品展，北京
2008	2008 年度艺术提名展，北京 BS1 美术馆，北京
2003	第三届吉林省青年美展，长春
收藏机构
美仑美术馆、罗湖美术馆、云琅当代美术馆、合美术馆、宋庄美术馆、艺・凯旋艺术空间

Liu Zhengxin
1983	Born in Jilin, China
2002–2006	BFA in Oil Painting, Academy of Fine Arts, Jilin College of the Arts
2009–2013	MFA in Painting, Academy of Fine Arts, Jilin College of the Arts
2010–2013	Studied and worked at Fang Lijun Studio in Songzhuang (Jincao Space)
Present:	Lives and works in Beijing
Solo Exhibition
2025	Narratives in Speculation, Yunlang Contemporary Art Museum, Changchun
Selected Group Exhibitions
2025	Traces, Songzhuang Art Museum, Beijing
2022	Traces. Images Young Artists , He Art Museum, Wuhan
2021	The Room, Songzhuang Art Museum, Beijing
2017	Another Bad Day 3-Person Exhibition, Art Changsha / Meilun Art Museum, Changsha
2016	Painting at the Moment – Contemporary Painting Invitational, Beijing
2016	Blooming Like a Receptacle: 13 Multi-Dimensional Artists, Luohu Art Museum, Shenzhen
2015	2015 “CIGE” Artist Nomination, Beijing
2015	Great Beauty of Changbai – Changbai Mountain Themed Art, Yanhuang Art Museum, Beijing
2015	Intellectual Landscapes, Yi·Kaixuan Art Space, Beijing
2014	New Academic Art – Season 1, Luohu Art Museum, Shenzhen
2010	Between Square Inches China-Korea Contemporary Small Oil Painting Exhibition, Beijing
2008	2008 Annual Art Nomination, Beijing BS1 Art Museum, Beijing
2003	3rd Jilin Provincial Youth Art, Changchun
Collections
Meilun Art Museum, Luohu Art Museum, Yunlang Contemporary Art Museum, He Art Museum, Songzhuang Art Museum, Yi·Kaixuan Art Space

Ma Guobin 马国彬

Artist Statement 艺术家自述

探求人在现实与虚拟之间存在的一种更为真实的一种生命纬度

Explores a truer dimension of human existence that lies between reality and virtuality.

Artist CV 艺术家简历

Ma Guobin 马国彬
1982	生于河北
2006-2016	任教于河北美术学院
2022	深耕陶瓷材料绘画探索
目前	工作生活于北京和景德镇
个人展览
2015	四十条鱼，河南林州
2022	看光，北艺塘美术馆
2023	太阳船，陶阳书院（景德镇）
部分联展
2012	双个展，北京一号地艺术区
2014	水墨像素 七人联展，798 HIHEY 美术馆，北京
2014	立方体 六人联展，雯华堂
2015	三岔口 三人联展，管庄
2017	一张棉花纸 群展，山海美术馆
2018	当达利遇上毛泽东 高维艺术联展
2021	纸上至上 联展，宋庄上上美术馆，北京
2023	汽车站 联展，景德镇陶瓷艺术研究院
2024	还原 当代陶瓷艺术联展，上海秦古美术馆
2024	垃圾时间里的光 双个展，三宝蓬美术馆
奖项
2014	作品入选第十二届全国美展综合材料绘画展
2015	米兰世博会优秀作品展暨中国馆闭幕展 金奖

Ma Guobin
1982	Born in Hebei, China
2006-2016	Taught at Hebei Academy of Fine Arts for ten years
2022	Explored painting with ceramic materials
Present:	Lives and works in Beijing and Jingdezhen
Solo Exhibitions
2015	Forty Fish, Linzhou, Henan
2022	Gazing at Light, Beiyitang Art Museum
2023	Sun Ship, Taoyang Academy, Jingdezhen
Selected Group Exhibitions
2012	A Duo, No.1 Art District, Beijing
2014	Ink Pixel 7 Artist, 798 HIHEY Art Museum, Beijing
2014	Cube, Wenhuatang
2015	Three-Way Intersection, Guanzhuang
2017	A Sheet of Cotton Paper, Shanhai Art Museum
2018	Dali Meets Mao Zedong High-Dimensional Art Group
2021	Supremacy of Paper Group Exhibition, Shangshang Art Museum, Songzhuang, Beijing
2023	Bus Station Group Exhibition, Jingdezhen Ceramic Art Research Institute
2024	Restoration Contemporary Ceramic Art, Qinggu Art Museum, Shanghai
2024	Light in Wasted Time Two-Persons, Sanbaopeng Art Museum
Awards
2014	12th National Art Exhibition Mixed-media Painting Section
2015	Gold Award, Excellent Works Exhibition & China Pavilion Closing Exhibition, Milan Expo
Collections
Hebei Art Museum

Qiao Leikai 乔雷凯

Artist Statement 艺术家自述

作品创作手法以绳絮沾取颜料，借弹拨力道让色彩垂落交织。

画面竖线错落疏密，还原石窟岩壁历经时光侵蚀的纵向斑驳纹理；整幅色调严格溯源古代洞窟壁画，沉郁赭红、复古青灰、幽紫墨色交织相融，把千年洞窟里沉淀的苍茫古意、岁月风化的厚重质感，藏进纯粹的抽象线条韵律之中，让古老壁画的色彩灵魂，在当代抽象艺术里新生。

作品以绳弹垂线作画，视觉逻辑同源极简主义音乐。连绵重复的纵向线条，如同极简乐恒定循环的音型节奏；洞窟古壁画衍生的层次色调，对应乐曲缓慢氤氲的和声音色。无繁杂叙事、无剧烈起伏，以纯粹重复与微妙渐变，复刻石窟千年静谧时空，用视觉韵律演绎空灵悠远的冥想式意境，让画面如极简乐章一般，在绵延往复里沉淀永恒的时间诗意。

I dip rope fibers in pigments, plucking with controlled force to let colours drip and interweave across the canvas.

Scattered vertical lines vary in density and spacing, recreating the vertical mottled textures of grotto rock walls eroded by time. The overall colour palette draws strictly from ancient cave murals: somber ochre reds, vintage teal greys, and muted indigo inks blend and merge. The vast ancient aura accumulated over millennia in grottoes, along with the weight of weathered time, is encapsulated within the rhythmic flow of pure abstract lines—reviving the chromatic spirit of ancient murals through contemporary abstract art.

Painted with vertical strokes flicked from taut ropes, the work shares the same visual logic as minimalist music. Continuous, repetitive vertical lines echo the constant, looping rhythmic patterns of minimalist compositions; layered hues derived from ancient cave art correspond to the slow, diffused harmonic tones of instrumental pieces. Devoid of intricate narratives and dramatic fluctuations, it relies on pure repetition and subtle gradations to recreate the serene, timeless space of ancient grottoes. Through visual rhythm, it evokes an ethereal, meditative mood. Much like a minimalist movement, the painting settles into an eternal poetics of time within endless, flowing cycles.

Artist CV 艺术家简历

乔雷凯
1985	生于内蒙古鄂尔多斯
2010	毕业于宁夏大学美术学院油画专业
目前	工作生活于河北燕郊
部分展览
2023	你需要一个房间，宋庄美术馆，北京
2022	万象新生，重庆当代小幅作品推广计划，金山意库，重庆
2021	青年的力量，雅昌艺术中心，深圳
2021	第三届北京城市艺术博览会，王府半岛酒店，北京
2017	浪尖头，壹品艺术空间2017第三幕全国青年画家邀请展，壹品艺术空间，杭州
2016	中国未来，第二届青年艺术家提名展，金陵美术馆，南京
2015	GOART艺术节，环球金融中心，北京
2014	艺术考察报告，V拍当代艺术收藏展，山海美术馆，北京
2014	艺术的36°5，69美术馆，北京
2014	无微不至首届微作品大展，上上国际美术馆，北京
2014	约翰·莫尔绘画奖（中国），喜马拉雅美术馆，上海
2013	第八届宋庄艺术节，上上国际美术馆，北京
2013	我们：1994－2013中国宋庄艺术家集群20周年纪念特展，宋庄美术馆，北京
2013	跨越边界中国当代艺术邀请展，帕拉马里博，苏里南
2011	80后艺术档案作品展，宋庄美术馆，北京
2011	ARTI11艺术博览会，海牙，荷兰
奖项荣誉
2014	约翰·莫尔绘画奖（中国）入围奖

Qiao Leikai
1985	Born in Ordos, Inner Mongolia
2010	Graduated from Oil Painting Major, School of Fine Arts, Ningxia University
Present:	Lives and works in Yanjiao, Hebei
Selected Exhibitions
2023	You Need a Room, Songzhuang Art Museum, Beijing
2022	New Visions of All Things, Chongqing Contemporary Small Works Promotion Plan, Jinshan Yiku, Chongqing
2021	The Power of Youth, Artron Art Center, Shenzhen
2021	3rd Beijing Urban Art Fair, The Peninsula Beijing, Beijing
2017	Wave Crest, National Young Painters Invitational, Yipin Art Space, Hangzhou
2016	China Future, 2nd Young Artists Nomination, Jinling Art Museum, Nanjing
2015	GOART Art Festival, Global Financial Center, Beijing
2014	Art Research Report, V-Pai Contemporary Art Collection, Shanhai Art Museum, Beijing
2014	Art 36°5, 69 Art Museum, Beijing
2014	The First Micro Art Exhibition, Shangshang International Art Museum, Beijing
2014	John Moores Painting Prize (China), Himalayas Art Museum, Shanghai
2013	8th Songzhuang Art Festival, Shangshang International Art Museum, Beijing
2013	We: 1994－2013 20th Anniversary Exhibition of Songzhuang Artists, Songzhuang Art Museum, Beijing
2013	Cross-Border Chinese Contemporary Art, Paramaribo, Suriname
2011	Post-80s Art Archive Exhibition, Songzhuang Art Museum, Beijing
2011	ARTI11 Art Fair, The Hague, Netherlands
Awards
2014	Finalist, John Moores Painting Prize (China)

Yan Hongchi 闫泓池

Artist Statement 艺术家自述

我觉得在创作的时候，我处于控制和被控制之中，画面也由此组成。被控制时像失控，而我 在和失控较劲，失控又给我带来惊喜。失控，更像一个贬义词，是一个不严谨、一个冲动带 来的后果，同生活一般充斥了不确定性。而正是这个不确定带给我们更多的快乐，创作亦是 如此，我在失控和控制之间寻找快乐。

I believe during the creative process, I dwell between control and being controlled—and this very tension shapes the artwork. When yielding to being controlled, I teeter into loss of control; I constantly wrestle with this chaos, yet it also brings unexpected surprises.

Loss of control often bears a derogatory connotation, seen as the result of recklessness and impulse. Much like life itself, it is filled with uncertainty. Yet it is this uncertainty that grants us profound joy, and creation is no exception. I find my pleasure lingering between control and chaos.

Artist CV 艺术家简历

Yan Hongchi 闫泓池
1988	生于吉林
2012	毕业于山东艺术学院本科
目前	工作生活于北京
个人展览
2022	摔跤吧！蛋糕，九月艺术，广州
部分联展
2025	《具象诗》，溯榭映美术馆，广州
2024	不止于蓝，YOU 艺术，北京
2023	上海世界博览会，上海世博展览馆，上海
2023	第十届艺术深圳，WEG 维格列，深圳
2023	三只“大象”和“语言的碎片”，M 的房间，北京
2022	转瞬即永恒，知其友艺术空间，西安
2021	瀑布，M 的房间，北京
2020	ASIA NOW 巴黎亚洲艺术博览会，Ocula 线上展厅，巴黎
2020	021 上海当代艺术博览会，上海展览中心，上海
2020	飒，九月艺术，广州
2019	广州设计周，广州保利世贸博览会，广州
2019	南京扬子当代艺术博览会，南京国际会展中心，南京
2019	青年100 北京启动展，嘉德艺术中心，北京
2019	白蓝，墙mini，北京
2019	新艺术博览会，农业展览馆，北京
2019	青年艺术图景，MOSMAN and SEAFORTH GALLERY，澳大利亚悉尼
2019	墙势力，时代美术馆，北京
2019	新星星艺术奖，江苏大剧院，南京
2018	去碑营V：画的诞生，应空间，北京
2018	宝龙艺术集市，杭州宝龙艺术中心，杭州
2018	青年100 北京启动展，嘉德艺术中心，北京
2018	亮相，方隈空间，北京
2017	CIGE 博览会，单行道画廊，北京
2017	局部档案，要空间，上海
奖项
2011	马利特等奖
收藏
北京时代美术馆

Yan Hongchi
1988	Born in Jilin, Present works and lives in Beijing
2012	Graduated from Shandong University of the Arts, Bachelor’s degree
Present:	Lives and works in Beijing
Solo Exhibitions
2022	Wrestle! Cake, September Art, Guangzhou
Selected Group Exhibitions
2025	“Figurative Poetry”, Suxieying Art Museum, Guangzhou
2024	Beyond Blue, YOU Art, Beijing
2023	Shanghai World Expo, Shanghai World Expo Exhibition and Convention Center, Shanghai
2023	The 10th Art Shenzhen, WEG Weigele, Shenzhen
2023	Three “Elephants” and “Fragments of Language”, M’s Room, Beijing
2022	Transience is Eternity, Zhiqi You Art Space, Xi’an
2021	Waterfall, M’s Room, Beijing
2020	ASIA NOW Paris Asian Art Fair, Ocula Online Gallery, Paris
2020	021 Shanghai Contemporary Art Fair, Shanghai Exhibition Center, Shanghai
2020	Sa, September Art, Guangzhou
2019	Guangzhou Design Week, Guangzhou Poly World Trade Expo, Guangzhou
2019	Nanjing Yangtze Contemporary Art Fair, Nanjing International Exhibition Center, Nanjing
2019	Youth 100 Beijing Launch Exhibition, Guardian Art Center, Beijing
2019	White and Blue, Wall Mini, Beijing
2019	New Art Fair, Agricultural Exhibition Hall, Beijing
2019	Youth Art Scene, MOSMAN and SEAFORTH GALLERY, Sydney, Australia
2019	Wall Power, Times Art Museum, Beijing
2019	New Star Art Award, Jiangsu Grand Theatre, Nanjing
2018	Qubeiying V: The Birth of Painting, Ying Space, Beijing
2018	Baolong Art Market, Hangzhou Baolong Art Center, Hangzhou
2018	Youth 100 Beijing Launch Exhibition, Guardian Art Center, Beijing
2018	Debut, Fangwei Space, Beijing
2017	CIGE Fair, One Way Gallery, Beijing
2017	Local Archive, Yao Space, Shanghai
Awards
2011	Mali Special Award
Collection
Beijing Times Art Museum

Zhang Rong 张容

Artist Statement 艺术家自述

巴别塔The Tower of Babel

借用名画巴别塔的图式，运用线条的多层重叠产生出了一定的肌理效果；同时色层间的相互影响也有了独特的色彩感受。巴别塔有它特定的思想内涵，接合独特的表现手法，营造出一种别样画面氛围。

Drawing on the pictorial motif of the classic painting The Tower of Babel, the work adopts multi-layered overlapping lines to form a distinct texture effect. Meanwhile, the interaction between color layers delivers a unique chromatic perception. Rooted in the inherent ideological connotation of the Tower of Babel, combined with expressive and personalized painting techniques, the piece constructs a distinctive visual atmosphere.

爱神维纳斯 Venus

作品借用古希腊雕塑维纳斯的形象，运用线条层层叠加的创作方式，制造出色彩的闪烁感与空间的幻像，有序的线条排列与层层的肌理效果让画面产生无限的空间想像。

This work borrows the iconography of the ancient Greek sculpture Venus. Through the superposition of layered lines, it creates flickering color visuals and illusory spatial effects. The orderly arrangement of lines and rich layered textures endow the painting with boundless spatial imagination.

Artist CV 艺术家简历

Zhang Rong 张容
2002	本科毕业于四川美术学院
2012-2014	首都师范大学美术学院表现性油画高研班
2015-2018	首都师范大学，表现性油画专业，获艺术硕士学位
目前	工作生活于北京
个人展览
2025	似锦繁华 张容艺术作品展，睿符艺术中心，北京
群展
2026	拾花酿春艺术作品展，树美术馆，北京
奖项
2025	2025亚洲新生代艺术榜入围奖
收藏
大连中山美术馆，西安美术馆

Zhang Rong
2002	Graduated from Sichuan Fine Arts Institute with a Bachelor’s degree
2012 – 2014	Capital Normal University Expressive Oil Painting Advanced Seminar
2015 – 2018	Capital Normal University Master of Fine Arts degree
Present:	Lives and works in Beijing
Solo Exhibitions
2025	Prosperous Beauty – Zhang Rong Art, Ruifu Art Center, Beijing
Group Exhibitions
2026	Picking Flowers to Brew Spring Art, Tree Art Museum, Beijing
Awards
2025	Finalist Award of 2025 Asian New Generation Art List
Collections
Dalian Zhongshan Art Museum, Xi’an Art Museum